This past fall, someone in my local quilting guild suggested that we do a mystery quilt project. I thought that the idea sounded fun, so I volunteered to help organize it. Another lady and I did a quick search of #mysteryquilt on Instagram, and found Cheryl Brickey of Meadow Mist Design.
The pattern that we settled on was hers, and she called it the Magnolia Mystery quilt from 2017/18. I liked how the quilt had a lot of negative space (which would be new for all the traditional quilters in the group), but was still block based (which I thought they would appreciate it). Plus it went together quickly with only 6 clues or "steps" in the whole quilt top.
I wanted to have a finished quilt to show my group when I handed out the last clue at the end of this month, so I worked ahead, finished the quilt top on a sewing retreat, and just got it back from the long-arm quilter this past week.
I went with a new-to-me edge-to-edge quilting pantograph from Urban Elementz, called "Midnight Sparkle." I absolutely love it and (spoiler alert), I've already used it for 2 more holiday quilts this week. To me, it's the perfect wintery blend of swirl and sparkle.
I backed the quilt with a holiday penguin print from the original Cotton + Steel ladies. Those penguins and that sparkle part of the quilting make me smile.
I bound the quilt with two different gray polka dot and snowflake prints that I had in my stash.
I made the lap-size version of this quilt (there are also directions to make a queen-size quilt), and it finishes at 60" x 67". This quilt will live in our living room in January once we have put the Christmas decorations away.
Thanks for stopping by!
Did you see my last post on the red memory quilt that I made from my Father-in-law's shirts? If not, click here before you read on. The memory quilts that I've made using the slice & insert method take a lot of time, and after staring at the pile of my FiL's shirts for nearly a year, I wanted something that would go together a little quicker and more easily. I stuck with the large scale blocks, eliminated the strips, and went with large half-square triangles, and I love how they turned out.
For these quilts I cut 9" squares of fabric from the shirt pieces, paired them up and sewed half-square triangles (and then trimmed the blocks to 8 1/2" square). Quilts like this require you to lay blocks out "randomly" so that no two matching fabrics are next to each other (or close to each other). That honestly takes the longest time for me. So for this quilt when I made my HST blocks and cut them apart, I put the two pieces in two separate piles. That way each pile contained a set of the same blocks. Next, I laid out one quilt, took a picture of the layout, and sewed the top together...and when I laid out the second quilt I referred to that photo and laid the second quilt out exactly the same! Such a time saver.
I backed both of these quilts with a fun multi-tone blue dot fabric, and bound them with a diagonal two-tone blue stripe fabric. I quilted both of these quilts myself which means I quilted them with straight lines about 1" apart. Lots of the fabrics in this quilt were thin slippery synthetic or blended fabrics. After struggling with slipping and shifting when quilting the first quilt, I learned that these quilt tops needed to be starched before basting. The quilting went so much better with the starched tops.
This quilt finishes at 64" square.
The blocks finish at 8" square, and are laid out 8 blocks across, and 8 blocks down (64 blocks total). For more pictures of these quilts, check out #johnsshirtquilts
A little over a year ago my father-in-law passed away, and I offered to make a couple of memory quilts from his numerous button-down shirts. This was to be the second time I endeavored to make memory quilts from shirts from a family member. (See #quiltsfrombeau & this link to see my first two memory quilts ever made). The picture above shows the shirts after I had deconstructed them down in to workable (flat) pieces of fabric. There were actually several more shirts that I rejected for being too stiff and thick (read: canvas and thick thick flannels). I had a lot to work with!
My FiL was from Nebraska and therefore had a lot LOT of red/maroon shirts. I started with those and used the same method that I used for Beau's memory quilts: I cut 12" squares and strips of varying widths and then used the "slice & insert" method. My first step was to layout the background squares. Once I had them how I wanted, I added the strips, and then trimmed the block down to 10" square.
Fast forward months and months, and I recently motivated to straight-line quilt this guy.
This quilt has 36 blocks that finish at 10" square, making the quilt 60" x 60". I backed it with peachy tan pine tree print from Art Gallery Fabrics (very hard to photograph). Check out #johnsshirtquilts to see more pics made from my FiL's shirts.
The other week I got a new Juki sewing machine (see him here). The store where I bought him has a 7-day money back guarantee, so in the first week of owning him, I wanted to put him through all the paces: piecing, quilting, binding...all the fun things I want to make sure he does awesomely.
That meant that after finishing my latest freewheeling single girl quilt (see my post on that one here), I went straight back to basting this one.
But let's back up a minute.
I started my version of the Tangelo Quilt (pattern by Carolyn Friedlander) at Sewtopia New Orleans in 2017. You can see my original fabric pull here. I went with a couple of different Kona solids in blues and grays from my stash, and then used a bunch of Lizzy House's "Whisper Palette" low-volume gray and white fabrics for contrast (also from my stash).
For the first year or so, I only ever worked on this project at retreats - and it was a great retreat project. The quilt is all paper-pieced which means I could sit all day at my sewing machine with my seam roller and sew away without every having to get up and iron my blocks.
Now fast forward to January of this year when I pulled my strips out of my closet and put them on the design wall. (Note - the pattern actually has you make smaller sections of triangle blocks and then sew them together, but I just made strips the length of the quilt and then sewed the strips together).
I backed the quilt in a new colorway of a recently re-released print from Lizzy House (love the print, love the color), and quilted this with straight lines 5mm apart (because my new Japanese sewing machine is only metric), and my machine did really well. Binding was no problem at all either (but note to self: use 2.25" binding, not 2.5").
Now just more pictures!
If you scroll through you'll see a sneak peak of my next quilt project (or two).
If you follow me on Instagram, then you've seen lots of this quilt lately. You've also heard about my troubles quilting it on my sewing machine. However I have persevered and trouble-shot my issues and have both a new sewing machine and a finished quilt!
A little quilt back-story: I made my first Free-wheeling Single Girl quilt in 2016. (Click here to see it.) I started that quilt at Sewtopia Atlanta in 2016 when Denyse Schmidt was one of the teachers (it's her pattern). I really enjoyed making the pattern (you've gotta love large-scale blocks) and have been wanting to make another. I have also been wanting to sew with Robert Kaufman's Essex Linen AND...have been in love with mixing tones of one color. I seem to either do scrap quilts, or do mono-choromatic or two-color quilts.
So at Sewtopia 2019 (Salt Lake City 3) I started another blue single girl quilt and this time I used Natural Essex Linen (something I had been meaning to try) and several blue solid fabrics from my stash.
Fast forward 4 months and I have a finished quilt!
I made the "twin" size, quilted it with straight lines that are about 1 1/2" apart, and backed it with a favorite old Lizzy House butterfly print that I was able to find on Etsy (again you can see more about that on Instagram).
The past week I finished up another scrap quilt! This quilt was started by all of the half-square triangle (HST) trimmings from my Scrappy Goose Quilt. A little over a year ago I pieced together the original scrap HST blocks from that quilt, but when it was done it made a pretty small quilt. So I set it aside with the idea that sometime (in the near future) I would make more HST blocks and make the quilt bigger. Fast forward 14 months and the larger HST Chaos quilt is done!
Lora from Quilts by Grace quilted this for me using a modern wave pattern, with the lines spaced around 1 1/2" apart. I've used this quilt pattern on several quilts lately and really like the texture that it creates, and it's unobtrusiveness. I bound the quilt with two multi-color small scale prints, and backed it in "Mallard" blue minky.
This quilt contains 1,024 squares and finished at 64" square. You can see more pictures at #hstchaos. A few people have asked, so I've written up a short tutorial on how I made this quilt. You can find it here, and also on my tutorials page.
Two years ago I saw the quilt below by Christa Watson and loved it!
My Scrappy Goose Quilt was started in the summer of 2017 when I was still in a hard cast and on crutches after surgery on my ankle. I was unable to stand on my bad ankle, so I cut all the background rectangles sitting on the floor of my living room, and then hopped back and forth on my one good foot to lay the blocks out on my design wall.
I got the top pieced shortly after I started it, pieced a backing for it a few months later, and then it hung in a corner for about 18 months before I decided to take it to my local long-arm quilter: Quilts by Grace. For the backing, I pulled 10 half-yard cuts of "medium-volume" fabric from my stash and pieced them together. Over the year I've acquired several cuts of red & white prints that have too much going on in them to call them "low-volume," but they're too choppy to call them "blenders," and I just wasn't using them. So this backing was the perfect place to put them.
Wow is it ever a treat to have someone else quilt a quilt for me! I think that basting is my least favorite part of making a quilt - therefore a lot of quilt projects stall out once I get the top completed. Once I had the quilt quilted, it was only a week or so before I put this cute binding on.
This quilt finished at 72" square and, as I mentioned on Instagram, I am keeping this guy for myself. For more pictures of this quilt, please check out #scrappygoosequilt.
I finished this quilt a few weeks ago but never had a quilt-holder around during daylight hours. Until Sunday! So here it is: my 2018 I Wish I Could Go Too Traveling Quilt Bee (round 2). (aka "It's Raining Hearts.") For the second round of our traveling quilt bee, I asked people to make small 3-5" heart blocks in red or purple on a light/medium pink background. People were also welcome to send along "blank" pieces of background fabric. You can read my kick-off post here.
This quilt was a little different in that I asked people to make multiple small blocks, but not to assemble them. For my "starter block" I did assemble my hearts to make a mini mock version of what my quilt would look like when it was all done. When my quilt came back to me at the end of traveling through the bee participants, I made the mock quilt panel in to a pillow. You can see that project here.
Once I got the blocks back, I "built them out" so that they were all 6 1/2" square and laid them out interspersed rather randomly with blank squares of fabric. In the pics above you can see places where I added fabric to littler blocks to make them 6 1/2" square. I had fun trying to match (or at least coordinate) fabrics to the background fabrics in each block.
This quilt finishes about 66" x 72." I backed it with minky and had my local long-arm quilter quilt it with an edge-to-edge swirl panto pattern. It has been living on our couch for about a month now and I absolutely love snuggling under it at night. You can check out #itsrainingheartsquilt for more in-progress pics. Thank you to all the ladies who helped contribute blocks for my quilt: Jen, Kristin, Kayla, Kristy, Steph, Rebecca, & Jackie!
Tonight I submitted and paid my last Colorado sales tax return for a while, I hope. Following that, I went to my Etsy store to essentially close it. After 10 years, I've decided that it is no longer worth my time to spend time (and money) posting things to sell on Etsy. As many crafty types know, it is very difficult to try to sell handmade items for a fair price, and going forward I'm going to spend my efforts on crafting for my own pleasure.
Back in November, 2010, 5 months after giving birth to my third child in less than two years (twins are part of that), I got online and created an Etsy store for myself. I decided on a name (I used to call all my kids "Goose"), and had my graphic-designer sister design me a logo. It was fun! I made bags, I took picture of them, posted them in my new store and then spent days hitting "refresh" to see how many views my store was getting. I had two kids in daycare and a baby at home who napped a lot and suddenly my love of sewing had a purpose.
Fast forward a few years and I had learned a few things (like white backgrounds work better than others), had a few sales each month, and even had a fabric company send me an entire box of fabric for me to make up in to bags. They sent half-yard cut of all of the fabrics in all their collections. It was a crazy amount of fabric! I had done a bit of wholesale sales to local shops, had tried a craft fair (thanks to all of my parents' friends who came and bought bags, and an eye-roll goes out to the lady in the booth next door who told me that I'd sell a whole lot more if I lowered my prices a lot). I was definitely going outside of my comfort zone and was making an attempt to sell my fabric gift bags.
Like many others in the quilting community, I discovered blogs and through those, the modern quilting community. I absolutely loved looking at all the beautiful quilt pics online.
Somewhere in there I started my own blog/website, got a Facebook page and joined Flickr...and then Instagram. I learned that people would get together for sewing weekends (retreats) and I decided to try one of those - and it was great! At that first retreat a met a few people who have become dear close friends. My sewing habit has taught me a lot of things and has taken me to new places.
But now things are different. Last year I went back to work part-time and my free time really decreased (sewing time really). After limping along for the year struggling to take care of the house & myself, in addition to sewing, this November I decided I was DONE. Things had to simplify. I no longer needed to be reminded to renew Etsy listings for things that hadn't sold in a long long time. I no longer needed to try to remember to keep track of fabric expenses and sales...and pay the darn sales tax every January. No more trying to get great product photos to post on the website...no more hours of photo-editing and post-editing to try to get it just right so hundreds of people would find my bags on Etsy (over the hundreds of other reusable fabric bags posted there).
So for now the store is still there, but nothing is listed in it. If anyone ever wants to commission a quilt feel free to reach out - I do enjoy making quilts for people. Now I plan to buy fabric and not keep the receipt, gift quilts left and right, and not worry about self-promotion. I'll continue to blog here to document my creations for posterity, and will be posting on Instagram. If you were one of the 270 people who bought something from my store over the last decade - thank you!
Happy weekend everyone! This feels like the last normal weekend in December and maybe you have some time to make a Christmas quilt?? If so, read on and you'll find a link to download the FREE pattern for this version of my patchwork wreaths.
But first let's talk a little bit my new quilt!
When I first started playing with my patchwork wreath block, this layout (above) is how I envisioned the block being used, but I saw it as being made from scrappy 2 1/2" squares. I made a test block of the scrappy version (see below left), and then started on a solid version of the block, when a friend suggested that I make a mega-sized scrappy version of the block, and that ended up happening first. You can click here to read about the mega-block finished quilt, or see the finished product here.
The original scrappy 28" block ironically was the first block made, and has yet to be made in to a quilt. On the right is the first block made from solid fabric, waiting to be sewn together.
Regardless, after finishing the mega-block version of my wreath, I got back to work on the regular-sized solid blocks, making sure I noted cutting instructions, fabric requirements, and assembly directions as I went.
I used Robert Kaufman's Mammoth Flannel to back this quilt. I hadn't used their flannel before and was ordering online...assuming it would be fuzzy. I have to say that after pre-washing the backing, and washing it several times when the quilt was completed, it still isn't fuzzy. To me this fabric is more like homespun than flannel. It's thicker than regular quilting cotton, and is obviously woven, but is not fuzzy or soft. I am thrilled with the color and look of the backing though.
This quilt finishes at 70" square, has my usual "Soft and White" batting, and was quilted by my local long-arm quilter using a panto called "Fish Net" by Urban Elementz.
I've compiled the instructions and have it available here to down load. I have not had this pattern "tested," so if you notice a mistake, please let me know and I'll make the correction and re-post.
Please also note that these are just the directions for making 1 block, not the whole quilt. Some time in the future perhaps I'll put together directions for this actual quilt, but for now, if you'd like to make something similar to my quilt, you just need to add 6 1/2" sashing between the blocks, and then an 8 1/2" border. Click below to download the PDF directions for the solid block.
Thanks for stopping by, and if you make a quilt using this block, please tag it with #patchworkwreath so I can see your work!